"Two ordinary people, doing
something mundane, had discovered that
art and meaning, heroism and a glimpse of heaven, are available
to
anyone, anywhere, anytime."
It
was a sweltering summer's day. Hot, humid and not even a hint
of a breeze. As I ran past the marina, I saw that all the flags
were hanging straight down, draped against the poles.
No
one was stirring; the early-afternoon heat had sent people indoors.
Alone with my thoughts, I ran the deserted back streets of this
little harbor town. I was sweating profusely and enjoying it.
"I
sweat to think," a running friend once told me. Sweating,
or what brings on the sweat, helps me think, too. It also makes
me feel good about myself. This day, I was a king running through
my kingdom.
Then
up ahead I saw another human being. He was on a scaffold, shingling
a house. I am fundamentally a loner who passes others without
a word. But because this workman and I appeared to be the only
living people in town, I felt the urge to speak to him.
I
called up, "Do good!"
He
turned my way, appearing to measure me and what I was doing. "Intend
to," he replied.
Ordinarily,
that exchange would be a long conversation for me. I have been
on coast-to-coast flights during which I said fewer words to the
strangers sitting next to me. But something compelled me to say
more to this man.
"God
is watching," I called to him. I had been brought up certain
in the knowledge that God has his eye on me, recording every deed
and misdeed.
The
man looked at me again and said, "Hope so." In that
one short response, he had made himself the equal of anyone on
this earth and made what he was doing of equal importance to any
other human activity.
He
did that for me, too. We were both doing what we do well and doing
it the best we could.
His
shingling was work. It was also what my running is to me: play.
He had reached the level Robert Frost had defined: when "work
is play for mortal stakes."
The
shingler had gone beyond that stage and transformed his work into
an art. He was defining himself by what he did. And I suddenly
realized I was doing the same. "The artist is not a special
kind of man," writes Eric Gill. "But every man is a
special kind of artist."
Our
art is living. What we call "the arts" are secondary.
We live our lives in a special way and find in that our meaning.
We hope God is watching.
I
finished my run still thinking about my encounter with the shingler.
Two ordinary people, doing something mundane (and in my case,
something with no tangible product), had discovered that art and
meaning, heroism and a glimpse of heaven, are available to anyone,
anywhere, anytime.
"George
Sheehan," one critic has said, "is a legend in his own
mind." Of course I am. So is the shingler. You should be,
too. Each one of us must be his or her own hero.
Our
highest human need is to be a hero; we are here to lead a heroic
life. When we cease to be heroic, we no longer truly exist. A.E.
Housman describes that condition well: "Runners whom renown
outran? And the name died before the man." What fame, you
ask? The only true fame, I say-the inner celebration of self.
Heroism
is ever available to each of us. Through ordinary experiences,
the ordinary person can become extraordinary. Life boils down
to finding the best means of expressing heroism; each of us needs
to find our own personal arena, our true talent, our gift, our
vocation. We all must be heroic, but in our own way. That way
can include shingling a roof or running an hour on a sultry summer's
day.
Copyright © The Geoge Sheehan Trust
1999